I don’t know about you, but I am constantly getting messages that I have too many photos on my phone, and as I start searching, I find another article to be written that was pushed out by other articles. Of course, by now you realize that I am not just a wino.

I discovered that we had gone to see “DaVinci the Exhibition at The Henry Ford Museum.” We have a family membership to The Henry, which is the new name for the Henry Ford Museum and Greenfield Village, which is one of the greatest places to visit in the State of Michigan. This was a limited-time, immersive showcase of Leonardo DaVinci’s life, art, and inventions. There were over sixty-five full-scale inventions, handcrafted by artisans from DaVinci’s original sketches and modern Codices, including military machines, civil engineering designs, flying contraptions and musical instruments. There were also twenty museum-quality reproductions like the Mona Lisa, The Last Supper and Virgin of the Rocks, plus some that are still debated, but attributed to DaVinci.

There were also in-depth studies on concepts such as the golden ratio, anatomy and proportion with enlarged sketches and annotations. One of the well-studied and explained was his “Vitruvian Man.” I have to admit, that both of us were as bad as the young students who were there from school field trips, as we waited until the students were done with some of the interactive displays. He had created machines to make man work smarter, instead of harder, with actual displays of assorted rope pulley demonstrations; things that we take for granted today but were totally novel and wonderous at the time. It was here that I had to invoke the inner Michael O’Hara, but there was no Rita Hayworth as I dared to venture into a small-scale version of a mirror room. It also reminded me of the “House of Mirrors” room at a traveling carnival that would come to my old neighborhood in Detroit, when I was a kid. I remember that I solved the mystery by looking at the floor and not the mirrors, and I discovered which way to go, because there was no mirror installed from the floor up to the ceiling. All in all, a wonderful exhibit, and the type of exhibits that are now featured, and there were no traveling exhibits when I was a kid riding my bicycle to see either the Henry Ford Museum or Greenfield Village on a Saturday.

I was feeling rather nostalgic, not for DaVinci, but for the Museum and the Village, so we went for a classic pie and an antipasto, and they now have a location near our house, in a former restaurant where the waiters would sing opera, between servings. We had a bottle of Azienda Agricola Ciccio “Cantina” Zaccagnini dal tralcetto Montepulciano d’Abruzzo 2022. The “Tralcetto” line refers to the small vine twig that is affixed to the bottle with raffia and has been their trademark. Azienda Agricola Ciccio Zaccagnini is one of the leading producers in the Abruzzo region of Italy, with around seven-hundred-forty acres of vineyards. The bottles are always adorned with a small remnant from a vine and a great marketing image. The winery was established in 1978 and has steadily grown, and they now produce over three million bottles of wine, and seventy percent of the production is now divided among forty-five countries. This wine is grown on medium-textured clay soil. After manual harvesting, destemming and crushing the wine undergoes submerged-cap maceration, and then temperature-controlled fermentation for fifteen days, then aged in Stainless Steel on its lees. This deep ruby wine offered restrained notes of red cherries and raspberries, along with pepper and cloves. On the palate this medium-bodied, well-balanced wine displayed tones of red fruit, spices and soft tannins, ending with a short-count finish of fruit and spices; perfect for a meat-lover’s pizza.


























